Post by Deleted on May 12, 2013 1:46:52 GMT -5
(OOC: You forgot to include your Fullbring count for your last two posts. The count for your previous post should be at 6/10, which means your post after this one will be at 7/10.)
The assassin was clever on his part. Instead of barging onto the forest floor, hunting for Kazuko, he stayed hovering above the forest using air-ground. Meticulously, he was tossing his paint, this way and that, trying to hone in on the Vice Captain’s position. When the paint would get close to the ground, he would detonate it. Moreover, the bamboo that wasn’t directly hit by these explosions would simply topple atop one another, trapping whatever was underneath. “COME OUT COME OUT WHEREEVER YOU ARE SHINIGAMI!” the assassin yelled. After a section was effectively leveled, the Painter would move on to another. From what the Vice Captain could tell from this ploy, the Painter could not detect his spiritual signature. This would only serve as an advantage. Even so, the assassin’s search was beginning to take him near Kazuko.
Staying low to the ground, the Vice Captain traversed farther away from the nearing paint while using the low hanging brush as cover. All the while he was circling around toward the assassin’s back. Still about 30 or meters off from him, Kazuko slowly used air-ground to pick himself up from the floor and up toward the canopy. He stopped when he was at eye-level with the bamboo around him. By this point, the assassin had already landed on the bamboo. With the Painters back turned to him, Kazuko raised his left palm at him. Barely louder than a whisper, he began to recite, “Sprinkled on the bones of the beast. Sharp tower, red crystal, steel ring. Move and become the wind, stop and become the calm. The sound of warring spears fills the empty castle. Hado #63: Raikoho.” Almost immediately after, Kazuko raised himself, so that his arm was above the canopy, before firing a large yellow blast of reiatsu at him. With the Painter’s lack of energy sensory, he would not be able to detect the Vice Captain charging the spell.
If the assassin were somehow able to dodge or block the spell, Kazuko would still have time to fire another attack before the assassin could traverse the distance between them. He would mentally fire off a Shakkaho at his opponent’s current position; the action would fire off a red ball of reiatsu. By mentally casting the attack, he did not need to charge the spell like before; however, this meant that the spell was weaker. Nonetheless, afterward, Kazuko would use a step with Shunpo to move diagonally toward the forest floor. Coming out of the step roughly fifteen to twenty meters from the ground, the Vice Captain would quickly position his body behind a cluster of bamboo; he was still using air-ground. He did this in order to get away from any possible counter attack and to use the bamboo as cover again. The assassin would be hard pressed to track him through the bamboo, due to his lack of sensory, and his average senses would make detecting him with sight or sound difficult.
Remaining Reiatsu: 1650/2500 (-150 for Raikoho, -100 for Shakkaho, -50 for 1x Shunpo)
The assassin was clever on his part. Instead of barging onto the forest floor, hunting for Kazuko, he stayed hovering above the forest using air-ground. Meticulously, he was tossing his paint, this way and that, trying to hone in on the Vice Captain’s position. When the paint would get close to the ground, he would detonate it. Moreover, the bamboo that wasn’t directly hit by these explosions would simply topple atop one another, trapping whatever was underneath. “COME OUT COME OUT WHEREEVER YOU ARE SHINIGAMI!” the assassin yelled. After a section was effectively leveled, the Painter would move on to another. From what the Vice Captain could tell from this ploy, the Painter could not detect his spiritual signature. This would only serve as an advantage. Even so, the assassin’s search was beginning to take him near Kazuko.
Staying low to the ground, the Vice Captain traversed farther away from the nearing paint while using the low hanging brush as cover. All the while he was circling around toward the assassin’s back. Still about 30 or meters off from him, Kazuko slowly used air-ground to pick himself up from the floor and up toward the canopy. He stopped when he was at eye-level with the bamboo around him. By this point, the assassin had already landed on the bamboo. With the Painters back turned to him, Kazuko raised his left palm at him. Barely louder than a whisper, he began to recite, “Sprinkled on the bones of the beast. Sharp tower, red crystal, steel ring. Move and become the wind, stop and become the calm. The sound of warring spears fills the empty castle. Hado #63: Raikoho.” Almost immediately after, Kazuko raised himself, so that his arm was above the canopy, before firing a large yellow blast of reiatsu at him. With the Painter’s lack of energy sensory, he would not be able to detect the Vice Captain charging the spell.
If the assassin were somehow able to dodge or block the spell, Kazuko would still have time to fire another attack before the assassin could traverse the distance between them. He would mentally fire off a Shakkaho at his opponent’s current position; the action would fire off a red ball of reiatsu. By mentally casting the attack, he did not need to charge the spell like before; however, this meant that the spell was weaker. Nonetheless, afterward, Kazuko would use a step with Shunpo to move diagonally toward the forest floor. Coming out of the step roughly fifteen to twenty meters from the ground, the Vice Captain would quickly position his body behind a cluster of bamboo; he was still using air-ground. He did this in order to get away from any possible counter attack and to use the bamboo as cover again. The assassin would be hard pressed to track him through the bamboo, due to his lack of sensory, and his average senses would make detecting him with sight or sound difficult.
Remaining Reiatsu: 1650/2500 (-150 for Raikoho, -100 for Shakkaho, -50 for 1x Shunpo)
